Yes, and particularly about hand movements. A lot of works Jelly Soap for instance, work through a concealed, inherent drive, a grip that changes the way the object handles. For example, the pieces of Jelly Soap melt in your hand. You have to realize that, because if you rub them like soap they simple fall to bits. This happens in a similar way in other works, like the Handmates: if you don't pick the objects up and turn them around you won't find that out. They have a solid inner section. This ovoid form with the additional mound is hidden in the coloured gel and silicone skin. I find that very consistent with the idea of a small sculpture. Most people only squeeze or press as a spontaneous handling movement. For me this work is very strongly in the Asiatic traditions, they have these hand-spheres. But we also have the rosary, and there it works serially. And now we have these health balls that you squeeze, which is actually very bad for the hand. Handmates are a hybrid cultural issue. You have to learn a new grip to perceive their form fully.